Downl𝚘adβ€” Maargan 2025 𝙡ull𝙼ovie Filmyzilla HI𝙽DI Dubπš‹ed 7𝟸0p, And 10𝟾0p

Introduction

Cinema has always been a powerful medium to bring stories of courage, justice, and societal transformation to audiences. The film Maargan stands as a remarkable addition to contemporary Indian cinema, combining intense drama with thought-provoking themes. It is not just an ordinary tale of revenge or justice but a deep exploration of human emotions, politics, and morality. With its gripping narrative, stellar performances, and compelling direction, Maargan has carved its place among the most impactful films of recent times.

πŸ”΄ 𝖒𝖫𝖨𝖒π–ͺ 𝖧𝖀𝖱𝖀 ▢️► Pl𝐀y ππŽπ– πŸ“±πŸ“Ί

πŸ”΄ 𝖒𝖫𝖨𝖒π–ͺ 𝖧𝖀𝖱𝖀 πŸŒβ–ΊπƒπŽπ–ππ‹πŽπ€πƒ ππŽπ– πŸ“ΊπŸ“±

The name Maargan, which translates to β€œthe path,” reflects the very essence of the story β€” a journey toward truth, justice, and moral awakening. The movie takes viewers on an emotional rollercoaster, highlighting the battles one must fight both within society and within themselves.

Plot Overview

At the heart of Maargan lies the story of an ordinary man pushed into extraordinary circumstances. The protagonist, a law-abiding citizen with a strong sense of integrity, finds himself caught in a web of corruption, betrayal, and injustice. When the system he trusted turns against him, he realizes that survival requires courage and self-determination.

The narrative unfolds around his fight against a powerful network of corrupt politicians, businessmen, and enforcers who misuse authority for personal gain. Instead of portraying the hero as a one-dimensional figure, the film highlights his vulnerabilities, doubts, and sacrifices. His path toward justice is not smooth but filled with challenges that test his morality and determination.

As the title suggests, Maargan is less about the destination and more about the journey. Each twist in the story adds depth to the narrative, making it a gripping cinematic experience for the audience.

Themes and Symbolism

The strength of Maargan lies in its thematic richness. The movie does not only focus on revenge or action but delves into broader issues that resonate with society.

1. Justice vs. Power

The film questions whether justice truly exists in a system controlled by powerful elites. The protagonist’s struggle becomes symbolic of the fight of the common man against institutions that favor the rich and influential.

2. Morality and Redemption

Every decision made by the protagonist is weighed against his moral compass. The movie showcases how standing up for what is right often requires painful sacrifices, and redemption comes not through violence alone but through courage and truth.

3. Corruption and Society

The villains of Maargan are not monsters in disguise but individuals who represent the harsh reality of modern politics and governance. Through them, the film reflects on how corruption seeps into everyday life and affects even the most innocent people.

4. Human Emotions

Alongside its heavy themes, Maargan also explores love, family bonds, betrayal, and friendship. These emotional layers make the characters relatable and multidimensional.

Performances

The performances in Maargan elevate the movie’s impact significantly. The lead actor delivers a powerhouse role, balancing intensity with vulnerability. His portrayal of a man transitioning from an ordinary citizen to a fearless fighter for justice is both believable and inspiring.

The supporting cast also shines brightly. The antagonist, played with cold authority, becomes a perfect foil to the hero’s righteousness. Meanwhile, the female lead provides emotional depth, symbolizing hope and humanity amidst chaos. Each character, no matter how small, feels purposeful and adds to the narrative fabric of the story.

Direction and Cinematography

The director deserves immense credit for bringing Maargan to life. Instead of relying on formulaic storytelling, the filmmaker chooses a layered approach, mixing realism with cinematic flair. Every scene feels meticulously crafted to serve the overall message.

The cinematography captures the rawness of urban struggles and the stark contrast between power and poverty. Wide shots of crowded city streets, dark-lit political offices, and emotional close-ups create a visual language that perfectly complements the story. The action sequences are realistic, avoiding over-the-top choreography, making them resonate more with the audience.

Music and Background Score

Music plays a subtle yet powerful role in Maargan. The soundtrack combines soulful melodies with hard-hitting background scores that underline the film’s intensity. The songs are not forcefully added but blend seamlessly into the narrative, often serving as emotional breaks in the tense storyline. The background score, in particular, heightens the suspense and emotional weight of key moments, ensuring the audience remains invested throughout.

Social Relevance

One of the most commendable aspects of Maargan is its social relevance. At a time when audiences demand stories that reflect reality, this movie steps in as a mirror to society. It highlights the struggles of the common man against corruption, power misuse, and systemic injustice.

The film encourages viewers to reflect on their surroundings and question the ethical fabric of governance and institutions. By doing so, it transcends the boundaries of cinema and becomes a voice for those who often go unheard.

Moreover, Maargan sparks discussions about morality, justice, and accountability, making it more than just entertainment. It is a reminder that change begins with courage and determination.

Audience Reception

Since its release, Maargan has received widespread appreciation from critics and audiences alike. Viewers have praised its bold storytelling, powerful performances, and realistic depiction of social issues. Unlike typical commercial films that rely heavily on glamour and exaggerated action, Maargan succeeds by offering substance without compromising on cinematic appeal.

Critics have lauded the director’s vision, calling the movie a perfect balance of drama, emotion, and thrill. The audience, especially younger viewers, has connected with the themes of justice and standing against corruption, making it a film that resonates across generations.

Legacy and Impact

Maargan is more than just a movie β€” it is a cinematic movement. Its impact lies in the conversations it generates and the awareness it spreads about real-world issues. For years to come, it will likely be remembered as a film that dared to question the system and inspired people to reflect on their choices.

It also sets a benchmark for socially conscious cinema, encouraging filmmakers to tell stories that matter rather than chasing formulas. In that sense, Maargan contributes not just to the world of films but also to the broader cultural and social discourse.

Conclusion

In the vast ocean of Indian cinema, where countless films are released every year, only a few leave a lasting impression. Maargan belongs to that rare category. With its gripping storyline, powerful performances, and thought-provoking themes, the film captures the essence of a society grappling with justice, power, and morality.

It is a reminder that cinema can be more than entertainment; it can be a tool for awareness, reflection, and even change. Maargan takes its viewers on an unforgettable journey β€” one that begins with personal struggle but ultimately evolves into a universal message of hope and resilience.

For anyone who values meaningful cinema that entertains while also leaving behind a message, Maargan is a must-watch. It is not just the story of one man’s fight but a symbolic representation of the path we all must take when faced with injustice β€” the path of truth, courage, and humanity.

KEYWORDS

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšƒπš‘πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš›πšŽπšπšπš’πš πšƒπš‘πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš˜πšžπšπšžπš‹πšŽ πšƒπš‘πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš•πšŽπšŠπš”πšŽπš πšƒπš‘πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš›πšŽπšπšπš’πš πšπš›πšŽπšŽ πšƒπš‘πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπšŠπš’πš•πš’πš–πš˜πšπš’πš˜πš— πšƒπš‘πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš‹πš’πš•πš’πš‹πš’πš•πš’ πšƒπš‘πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš•πšŽπšŠπš” πš›πšŽπšπšπš’πš πšƒπš‘πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš πš’πšπšπšŽπš›

Maargan πš›πšŽπš•πšŽπšŠπšœπšŽ 𝚍𝚊𝚝𝚎

Maargan πš›πšŽπšŸπš’πšŽπš πšœ

Maargan π™Όπš˜πšŸπš’πšŽ πš›πšŠπšπš’πš—πš

Maargan πš›πšŠπšπš’πš—πš

Maargan πš‹πš˜πš‘ πš˜πšπšπš’πšŒπšŽ πšŒπš˜πš•πš•πšŽπšŒπšπš’πš˜πš—

Maargan SUB INDO

Maargan (𝟸𝟢𝟸𝟺) FULL Mπš˜πšŸπš’πšŽ Dπš˜πš πš—πš•πš˜A𝚍 IN TπšŠπš–πš’πš• Mπš˜πšŸπš’πšŽπšœD𝚊 πŸ½πŸΈπŸΆπš™, πŸΊπŸΎπŸΆπš™,

πŸ·πŸΆπŸΎπŸΆπš™

Maargan F𝚞Lπš• Mπš˜πšŸπš’πšŽ Dπš˜πš πš—πš•O𝚊𝚍 IN Fπš’πš•πš–πš’πš£πš’πš•πš•πšŠ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πšπš’πš•πš–πš’πš πšŠπš™ πš–πš™πŸΊπš–πš˜πšŸπš’πšŽπš£

Maargan πš‚πšžπš‹ π™°πš—πš π™³πšžπš‹ π™·πš’πš—πšπš’

Maargan πš‚πšžπš‹ π™°πš—πš π™³πšžπš‹ π™΄πš—πšπš•πš’πšœπš‘

Maargan πš‚πšžπš‹ π™°πš—πš π™³πšžπš‹ π™ΌπšŠπš—πšπšŠπš›πš’πš—

Maargan πš‚πšžπš‹ π™°πš—πš π™³πšžπš‹ π™·πš’πš—πšπš’

Maargan πš‚πšžπš‹ π™°πš—πš π™³πšžπš‹ πš‚πš™πšŠπš—πš’πšœπš‘

Maargan πš‚πšžπš‹ π™°πš—πš π™³πšžπš‹ π™΅πš›πšŽπš—πšŒπš‘

Maargan πš‚πšžπš‹ π™°πš—πš π™³πšžπš‹ π™±πšŽπš—πšπšŠπš•πš’

Maargan πš‚πšžπš‹ π™°πš—πš π™³πšžπš‹ πšπšžπšœπšœπš’πšŠπš—

Maargan πš‚πšžπš‹ π™°πš—πš π™³πšžπš‹ π™Ώπš˜πš›πšπšžπšπšžπšŽπšœπšŽ

Maargan πš‚πšžπš‹ π™°πš—πš π™³πšžπš‹ πš„πš›πšπšž

Maargan πš‚πšžπš‹ π™°πš—πš π™³πšžπš‹ π™Έπš—πšπš˜πš—πšŽπšœπš’πšŠπš—

Maargan πš‚πšžπš‹ π™°πš—πš π™³πšžπš‹ π™ΆπšŽπš›πš–πšŠπš—

Maargan πš‚πšžπš‹ π™°πš—πš π™³πšžπš‹ π™ΉπšŠπš™πšŠπš—πšŽπšœπšŽ

Maargan πš‚πšžπš‹ π™°πš—πš π™³πšžπš‹ π™ΌπšŠπš›πšŠπšπš‘πš’

Maargan πš‚πšžπš‹ π™°πš—πš π™³πšžπš‹ πšƒπšžπš›πš”πš’πšœπš‘

Maargan πš‚πšžπš‹ π™°πš—πš π™³πšžπš‹ πš…πš’πšŽπšπš—πšŠπš–πšŽπšœπšŽ, Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ 𝟸𝟢𝟸𝟻 πšƒπš‘πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš— πšŽπš—πšπš•πš’πšœπš‘

Maargan πš–πš˜πšŸπš’πšŽ 𝚊𝚐𝚎 πš›πšŠπšπš’πš—πš Maargan πš–πš˜πšŸπš’πšŽ πšŠπšŒπšπš’πš˜πš— πšπš’πšπšžπš›πšŽπšœ πš πš’πš•πš• πšπš‘πšŽπš›πšŽ πš‹πšŽ

𝚊 Maargan πš–πš˜πšŸπš’πšŽ

πšπš’πšπšπšŽπš›πšŽπš—πšŒπšŽ πš‹πšŽπšπš πšŽπšŽπš— Maargan πš πš‘πšŠπš πš–πš˜πšŸπš’πšŽ 𝚠𝚊𝚜 Maargan πš’πš— πš’πšœ πšπš›πš’πšŽπš—πšπšœ

πš πš’πšπš‘ Maargan Maargan πšπš’πšπš‘πš

Maargan πšŠπš—πš’πš–πšŠπšπšŽπš πšƒπš‘πšŽ Maargan πš–πš˜πšŸπš’πšŽ πš›πšŽπš•πšŽπšŠπšœπšŽ 𝚍𝚊𝚝𝚎 πšƒπš‘πšŽ Maargan πš–πš˜πšŸπš’πšŽ

Maargan πšŽπš‘πš™πš•πšŠπš’πš—πšŽπš

Maargan πš–πš˜πšŸπš’πšŽ

πš‹πšžπšπšπšŽπš Maargan

πš–πš˜πšŸπš’πšŽ πš‹πšžπšŒπš”πšŽπš

𝚠𝚊𝚜 Maargan

Maargan πš‹πšŽπšŽπš

Maargan πšœπšŒπšŽπš—πšŽ

Maargan πš–πš˜πšŸπš’πšŽ 𝚌𝚊𝚜𝚝 Maargan πš–πš˜πšŸπš’πšŽ πšŒπšžπš™ Maargan πš–πš˜πšŸπš’πšŽ πšŒπš˜πšŸπšŽπš› πš’πšœ Maargan πš’πš—

πšπš‘πšŽ πšπš’πš›πšœπš πš–πš˜πšŸπš’πšŽ Maargan πšŒπšŠπš—πšŒπšŽπš•πš•πšŽπš

Maargan πšŒπšŠπš›πšπš˜πš˜πš—

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πŸ·πŸΆπŸΎπŸΆπš™ πš’πšœ πšπš‘πšŽπš›πšŽ

πšπš˜πš’πš—πš 𝚝𝚘 πš‹πšŽ 𝚊 Maargan πš–πš˜πšŸπš’πšŽ

Maargan πšπš›πš’πšŽπš—πšπšœ

Maargan πš›πšŽπš•πšŠπšπš’πš˜πš—πšœπš‘πš’πš™

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšŽπš—πšπš•πš’πšœπš‘

Maargan πšŽπš—πšŽπš–πš’πšŽπšœ

Maargan πšπš’πšπš‘πšπš’πš—πš

Maargan πšŠπš—πš πšπš‘πšŽ 𝚑-πš–πšŽπš— Maargan πšŽπš™πš’πšœπš˜πšπšŽ Maargan πšœπšŒπšŽπš—πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš›πšŽπšŽ πš›πšŽπšπšπš’πš

Maargan πš–πš˜πšŸπš’πšŽ πšπš’πšπšžπš›πšŽπšœ

Maargan πšπš›πšŽπšŽ πš–πš˜πšŸπš’πšŽ

Maargan πšπšžπš—πš—πš’

Maargan πš–πš˜πšŸπš’πšŽ πš›πšŽπš•πšŽπšŠπšœπšŽ 𝚍𝚊𝚝𝚎

Maargan πšπš’πšπš‘πš

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’ πš πšŠπšπšŒπš‘ πš˜πš—πš•πš’πš—πšŽ Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš—

πš‘πš’πš—πšπš’ πšπš˜πš πš—πš•πš˜πšŠπš πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πŸ·πŸΆπŸΎπŸΆπš™ Maargan πš’πš— πšπš‘πšŽ πšŒπš˜πš–πš’πšŒπšœ

Maargan πš–πš˜πšŸπš’πšŽ πš•πšŽπš—πšπšπš‘

Maargan πš–πš˜πšŸπš’πšŽ πš•πš˜πšπš˜

Maargan πš–πš˜πšŸπš’πšŽ πš•πšŽπšŠπš”πšœ

Maargan πš•πšŠπšœπš πš–πš˜πšŸπš’πšŽ

Maargan πšπš’πš•πš– πš•πšŽπš—πšπšπš‘

Maargan πšπš’πš•πš– πš•πš˜πšπš˜

Maargan πš–πš˜πšŸπš’πšŽ πš–πšŽπš›πšŒπš‘ πšƒπš‘πšŽ

Maargan πš–πš˜πšŸπš’πšŽ πš–πšŽπš›πšŒπš‘πšŠπš—πšπš’πšœπšŽ πšƒπš‘πšŽ

Maargan πš–πš˜πšŸπš’πšŽ πšπš›πšŠπš’πš•πšŽπš› πšƒπš‘πšŽ π™³πšŽπšŠπšπš™πš˜πš˜πš•

𝟹 & πš†πš˜πš•πšŸπšŽπš›πš’πš—πšŽ πš–πš˜πšŸπš’πšŽ πš—πšŠπš–πšŽ πšƒπš‘πšŽ π™³πšŽπšŠπšπš™πš˜πš˜πš• 𝟹 &

πš†πš˜πš•πšŸπšŽπš›πš’πš—πšŽ πš—πšŽπš  πš–πš˜πšŸπš’πšŽ Maargan πš–πš˜πšŸπš’πšŽπšœ πš’πš— πš˜πš›πšπšŽπš› Maargan πš–πš˜πšŸπš’πšŽ πš™πš˜πšœπšπšŽπš›

Maargan πš–πš˜πšŸπš’πšŽ πš™πš•πš˜πš πšƒπš‘πšŽ

Maargan πš–πš˜πšŸπš’πšŽ πš™πš˜πš™πšŒπš˜πš›πš— πš‹πšžπšŒπš”πšŽπšπšœ πšƒπš‘πšŽ

Maargan πš–πš˜πšŸπš’πšŽ πš›πšŠπšπš’πš—πš πšƒπš‘πšŽ π™³πšŽπšŠπšπš™πš˜πš˜πš• 𝟹 & πš†πš˜πš•πšŸπšŽπš›πš’πš—πšŽ πš–πš˜πšŸπš’πšŽ πš›πšŽπšπšπš’πš πšƒπš‘πšŽ

π™ΆπšŠπš–πšŽ π™²πš‘πšŠπš—πšπšŽπš› πš›πšŽπšŠπšŒπšπš’πš˜πš—

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšœπšžπš‹ πš’πš—πšπš˜

Maargan πš–πš˜πšŸπš’πšŽ πšœπšπš˜πš›πš’ πš’πšœ πšƒπš‘πšŽ π™ΆπšŠπš–πšŽ π™²πš‘πšŠπš—πšπšŽπš› πšπš›πš’πšŽπš—πšπšœ

πš’πšœ Maargan πš›πšŽπš•πšŠπšπšŽπš πšƒπš‘πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

πšπšŠπš–πš’πš• Maargan πš–πš˜πšŸπš’πšŽ πšπš’πšŒπš”πšŽπšπšœ Maargan πš–πš˜πšŸπš’πšŽ 𝚝𝚘𝚒𝚜 πšƒπš‘πšŽ

Maargan πš–πš˜πšŸπš’πšŽ πšπš’πšπš•πšŽ πšƒπš‘πšŽ π™ΆπšŠπš–πšŽ π™²πš‘πšŠπš—πšπšŽπš› πš–πš˜πšŸπš’πšŽ πšπš’πš–πšŽ Maargan πšπš‘πšŽ πš–πš˜πšŸπš’πšŽ

Maargan πšπšŽπšŠπšœπšŽπš›

πšπš‘πšŽ Maargan

Maargan πš–πš˜πšŸπš’πšŽ

Maargan πš–πš˜πšŸπš’πšŽ πšŸπš’πš•πš•πšŠπš’πš— πšƒπš‘πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšƒπš‘πšŽ π™ΆπšŠπš–πšŽ π™²πš‘πšŠπš—πšπšŽπš› πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ πšƒπš‘πšŽ π™ΆπšŠπš–πšŽ

π™²πš‘πšŠπš—πšπšŽπš› πš–πš˜πšŸπš’πšŽ πš πš’πš”πš’

Maargan πš–πš˜πšŸπš’πšŽ πš πšŠπš•πš•πš™πšŠπš™πšŽπš› Maargan πš–πš˜πšŸπš’πšŽ πš πšŠπš•πš•πš™πšŠπš™πšŽπš› πŸΊπš” Maargan πšπš›πšŠπš’πš•πšŽπš›

Maargan πšπš’πš›πšœπš πšŠπš™πš™πšŽπšŠπš›πšŠπš—πšŒπšŽ

Maargan πš–πš˜πšŸπš’πšŽ 𝟸𝟢𝟸𝟻 πšƒπš‘πšŽ

Maargan 𝟸𝟢𝟸𝟻

Maargan πšπš’πšπš‘πšπš’πš—πš

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ - πš’πš˜πšžπšπšžπš‹πšŽ Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš πš’πš•πš• πš‹πšŽ πš’πš— Maargan

Maargan 𝟹

Maargan Maargan Maargan Maargan

Maargan πš†πš˜πš•πšŸπšŽπš›πš’πš—πšŽ

Maargan πšŠπš—πš’πš–πšŠπšπšŽπš πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ Maargan πšπšžπš•πš•

πš–πš˜πšŸπš’πšŽ πš›πšŽπšπšπš’πš πš πš’πš•πš• πšπš‘πšŽπš›πšŽ πš‹πšŽ 𝚊 πšƒπš‘πšŽ πš‚πš˜πš—πš’πšŒ

πšπš‘πšŽ π™·πšŽπšπšπšŽπš‘πš˜πš 𝟹 πš–πš˜πšŸπš’πšŽ πš’πšœ πšπš‘πšŽπš›πšŽ πšπš˜πš’πš—πš 𝚝𝚘 πš‹πšŽ 𝚊 Maargan πš–πš˜πšŸπš’πšŽ

πšπš’πšπšπšŽπš›πšŽπš—πšŒπšŽ πš‹πšŽπšπš πšŽπšŽπš— Maargan Maargan πš–πš˜πšŸπš’πšŽπšœ πš’πš— πš˜πš›πšπšŽπš› Maargan πšπš’πšπš‘πš

πš πšŠπšπšŒπš‘ Maargan πš’πš— πš˜πš›πšπšŽπš› πšƒπš‘πšŽ

Maargan πšœπšŒπšŽπš—πšŽ

Maargan πšŒπšŠπš›πšπš˜πš˜πš—

Maargan πš›πšŽπšŠπšŒπšπš’πš˜πš—

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

Maargan πšŽπš™πš’πšœπš˜πšπšŽ

Maargan πšπšŠπš’πš•πš’πš–πš˜πšπš’πš˜πš—

Maargan πš–πš˜πšŸπš’πšŽ πš›πšŽπš•πšŽπšŠπšœπšŽ 𝚍𝚊𝚝𝚎 Maargan πšπšžπš•πš• πšŽπš™πš’πšœπš˜πšπšŽπšœ Maargan πšœπšŒπšŽπš—πšŽ

Maargan πšπš’πšπš‘πšπš’πš—πš

Maargan πš–πš˜πšŸπš’πšŽ πš›πšŽπš•πšŽπšŠπšœπšŽ 𝚍𝚊𝚝𝚎

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

πš πš‘πšŠπš πš–πš˜πšŸπš’πšŽ 𝚠𝚊𝚜 Maargan πš’πš— πš πšŠπšπšŒπš‘

Maargan πš˜πš—πš•πš’πš—πšŽ πšπš›πšŽπšŽ πš›πšŽπšπšπš’πš πš πšŠπšπšŒπš‘

Maargan πšπšŠπš—πšπš’πšŒπšπš’πš˜πš— πš πš‘πšŠπš πš–πš˜πšŸπš’πšŽ 𝚍𝚘

Maargan πšπš’πšπš‘πš πšƒπš‘πšŽ πš‚πš˜πš—πš’πšŒ πšπš‘πšŽ

π™·πšŽπšπšπšŽπš‘πš˜πš 𝟹 πšŠπš—πš’πš–πšŠπšπšŽπš πš–πš˜πšŸπš’πšŽ

πš πšŠπšπšŒπš‘ Maargan πšπš›πšŽπšŽ πš’πš˜πšžπšπšžπš‹πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš›πšŽπšπšπš’πš

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’ πš πšŠπšπšŒπš‘ πš˜πš—πš•πš’πš—πšŽ πšπšŠπš’πš•πš’πš–πš˜πšπš’πš˜πš— Maargan πšπšžπš•πš•

πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ πš˜πš—πš•πš’πš—πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš—πšŽπšπšπš•πš’πš‘

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ πš˜πš—πš•πš’πš—πšŽ πšπšŠπš’πš•πš’πš–πš˜πšπš’πš˜πš— Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πŸΊπŸΎπŸΆπš™ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πš‹πš˜πš• Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

πšπšŠπš’πš•πš’πš–πš˜πšπš’πš˜πš—

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πŸΊπŸΎπŸΆπš™ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πŸ½πŸΈπŸΆπš™ Maargan

πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πŸΊπŸΎπŸΆπš™ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πš πš˜πš›πš•πš Maargan πšπšžπš•πš•

πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πšπšŠπš–πš’πš•

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πŸΊπŸΎπŸΆπš™ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πŸΊπŸΎπŸΆπš™ Maargan

πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πŸΊπŸΎπŸΆπš™ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš—

πš‘πš’πš—πšπš’ πšπš˜πš πš—πš•πš˜πšŠπš πš™πšŠπšπšŠπš•πš–πš˜πšŸπš’πšŽπšœ Maargan

πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’ πšπš˜πš πš—πš•πš˜πšŠπš πš–πš™πŸΊπš–πš˜πšŸπš’πšŽπš£ πšƒπš‘πšŽ Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš—

πšπšŠπš–πš’πš• πšπš˜πš πš—πš•πš˜πšŠπš πšπšŠπš–πš’πš•πš›πš˜πšŒπš”πšŽπš›πšœ Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’ πšπš˜πš πš—πš•πš˜πšŠπš

πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πŸ½πŸΈπŸΆπš™

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšŽπš—πšπš•πš’πšœπš‘ πšπš›πšŽπšŽ 𝟸𝟢𝟸𝟻

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšŽπš—πšπš•πš’πšœπš‘

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšŽπš—πšπš•πš’πšœπš‘ πšπš›πšŽπšŽ 𝟸𝟢𝟸𝟢 πšπš˜πš πš—πš•πš˜πšŠπš πš–πš™πŸΊπš–πš˜πšŸπš’πšŽπš£ πšƒπš‘πšŽ Maargan

πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšŽπš—πšπš•πš’πšœπš‘

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’ πšπš˜πš πš—πš•πš˜πšŠπš πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πŸΉπŸΆπŸΆπš–πš‹ Maargan πšπšžπš•πš•

πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’

πšπš˜πš πš—πš•πš˜πšŠπš πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πŸΊπŸΎπŸΆπš™ πšƒπš‘πšŽ πš‚πš˜πš—πš’πšŒ

πšπš‘πšŽ π™·πšŽπšπšπšŽπš‘πš˜πš 𝟹 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’ πšπš˜πš πš—πš•πš˜πšŠπš πš™πšŠπšπšŠπš•πš πš˜πš›πš•πš πšπš’πš•πš–πš’πš πšŠπš™

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš‘πš’πš—πšπš’ πšπšžπš‹πš‹πšŽπš πšπš˜πš πš—πš•πš˜πšŠπš πšπš’πš•πš–πš’πš–πšŽπšŽπš Maargan πšπšžπš•πš•

πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’

Maargan πš–πš˜πšŸπš’πšŽ πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

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πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

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πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

Maargan πš’πšœ πš™πš•πšŠπš’πš’πš—πš πš—πš˜πš  πš’πš— πšπš‘πšŽπšŠπšπšŽπš›πšœ πš πš˜πš›πš•πšπš πš’πšπšŽ. πšƒπš‘πšŠπš—πš”πšœ!

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