LOOP LIKE A PRO

With my Scripted Looping Mini-course

A short but beautiful, drag and drop solution to dynamic, hands free, looping that you won't find anywhere else online!

If you’ve ever wanted to create mesmerizing live looped performances you’ve probably seen artists like Fred Again, Elise Trouw, Frank Wienk (aka Bink Beats) and wondered how exactly they do it. You’ve followed all the tutorials online but found the whole process a bit confusing or tedious. 

My SCRIPTED LOOPING mini-course is just what you need!

I've spent a lot of time with every looping method out there and have adapted my experience into this ‘drag and drop’ type process that helps you stay in ‘flow’ and simply create.. even if you've never looped before. 

Along with easy to follow step by step guidance, my Scripted Looping Mini-course will give you everything you need to not only create unique arrangements but to then easily turn them into dynamic, live looped performances, without all the tricky setup and tweaking that might’ve held you back in the past. 

The content you receive will be split into two parts. 1: An Ableton template with everything setup and ready to go so you can simply start creating, for those who just want to create without knowing too much about how or why it works and 2: A more in depth tutorial section with pre-recorded examples and setups for you to pull apart and understand at a deeper level.

If you'd like to speed up the process even further you can purchase my 1 Week Whatsapp Access bolt-on. This bolt-on gives you direct access to me via whatsapp (texts, voicenotes & screenshots) to help you iron out any issues with your set or to ask technical or creative questions that might be stopping you from looping like a pro!

WHAT 'S INCLUDED:

Although I trained on all DAWs, Ableton has been my staple, not only for its ability to facilitate quickly turning ideas into creative arrangements but also its infinite possibilities in terms of performance in general. It’s been something I’ve naturally ‘preached’ to friends whenever I’ve seen them face restrictions often found with other DAWs so I’m really happy to now be able to share my experience with you.

"I've simplified this all down into a template and I promise that even if you've never used Ableton before you'll be looping creative arrangements in less than an hour!"

Check out my pre-launch early bird offers below if you're ready to add creative hands free scripted live looping to your live and social persona! If you have any questions about this template please feel free to drop me a DM on Insta: @andyherby

TESTIMONIALS

SO WHY THIS TEMPLATE OVER OTHER METHODS?

Abletons 'Looper':  The looper records ‘sound on sound’ meaning you can't separate the sounds once they're recorded on top of each other, which isn't great if you need to pan or add effects to one of the loops. Adding a looper to each track could become processor intensive or just confusing especially after writing in any automation. You'd also need to trigger the track 'arm' function on and off to avoid sound bleed or spill which requires writing in via the IAC driver or similar. 

IAC driver:  Currently still a very fiddly process. You assign a midi note on the piano roll to 'every' trigger, its in and out points as well as any track or effect automation. You also have to ensure to trigger elements 'before' the in & out points, which can get confusing very quickly. You don’t have any reference of the arrangement as you're writing notes into the piano roll so you simply need to keep track of where you are in the song which can quickly become a science project especially if your tracks starts to move into the 2-3 minute mark or longer.

Bink Looper (without this template): While this temethodmplate uses the bink looper, it's a very intensive process setting up the channels correctly and then understanding where and when to draw in the 5 automation elements that trigger the device. It can become as complicated as using the IAC driver. 

Ableton Push:  This is a great method if your hands are free throughout your performance to trigger different aspects however it doesn't solve any problems when it comes to hands free 'scripted' looping. You 'can' set the 'fixed length' but changing this mid song isn't easy or reliable, requiring a button modifier hold for a second or two while selecting the new desired length.

ClyphX:  Although this gives you extensive control over Ableton it's definitely a more advanced method which still requires a manual to understand and use correctly. 

In conclusion.

If you're ready to eliminate all the blockages between you and your dream looped performance then this template and mini-course is for you. Claim your early bird discount below today and start looping like a pro!...

As a thank you for being a part of my pre-launch I’m very happy to offer this mini-course to you at the discounted rate of $79 (soon to be $159). 

If you don't own Ableton Suite or would like to go more in depth into looping you can purchase my LOOP LIKE A PRO masterclass, which will cover all aspects of looping from single push pedals to more complex midi triggering. You'll also have direct input into the content during the creation process making it something super personalized while helping me create the best version of this course possible!

If you purchase my LOOP LIKE A PRO masterclass today, you'll also get my SCRIPTED LOOPING MINI-COURSE, 1 weeks WHATSAPP ACCESS BOLT-ON as well as a 30% OFF DISCOUNT VOUCHER for any future courses, services, performances or offers I create. 

Both courses will be split into sections. One section for those who want to understand how and why things work and another for those who simply want to create, meaning you don't have to scan through hours of footage before being able to begin.

Please feel free to message me on Insta @andyherby if you have any questions about the course. 

I look forward to looping with you!

Andy

This template uses a few already existing devices and setups - Full credit is given within the course, along with links and performance examples of each creator.