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π™³πš˜πš πš—πš•πš˜πšŠπšπš’πš—πš πš˜πš› πš†πšŠπšπšŒπš‘πš’πš—πš Aashiqui 2 πš‚πšπš›πšŽπšŠπš–πš’πš—πš πšπš‘πšŽ π™΅πšžπš•πš• π™Όπš˜πšŸπš’πšŽ

πŸ”΄ 𝖒𝖫𝖨𝖒π–ͺ 𝖧𝖀𝖱𝖀 ▢️► Pl𝐀y ππŽπ– πŸ“±πŸ“Ί

πŸ”΄ 𝖒𝖫𝖨𝖒π–ͺ 𝖧𝖀𝖱𝖀 πŸŒβ–ΊπƒπŽπ–ππ‹πŽπ€πƒ ππŽπ– πŸ“ΊπŸ“±

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Aashiqui 2 πš•πšŠπšπšŽπšœπš πšœπšžπš™πšŽπš›πš—πšŠπšπšžπš›πšŠπš• πšŒπš˜πš–πšŽπšπš’ πš‘πš˜πš›πš›πš˜πš› π™Όπš˜πšŸπš’πšŽ Aashiqui 2 𝚊𝚝

πš‘πš˜πš–πšŽ. Aashiqui 2 𝟸𝟢𝟸𝟺 πšŠπšŸπšŠπš’πš•πšŠπš‹πš•πšŽ 𝚝𝚘 πš‚πšπš›πšŽπšŠπ™Ό ? π™Έπšœ πš†πšŠπšπšŒπš‘πš’πš—πš Aashiqui 2 πš˜πš—

π™ΏπšŽπšŠπšŒπš˜πšŒπš”, 𝙷𝙱𝙾 π™ΌπšŠπš‘, π™½πšŽπšπšπš•πš’πš‘ πš˜πš› π™³πš’πšœπš—πšŽπš’ π™Ώπš•πšžπšœ ? 𝚈𝚎𝚜, 𝚠𝚎 πš‘πšŠπšŸπšŽ πšπš˜πšžπš—πš πšŠπš—

πšŠπšžπšπš‘πšŽπš—πšπš’πšŒ πš‚πšπš›πšŽπšŠπš–πš’πš—πš πš˜πš™πšπš’πš˜πš—/πšœπšŽπš›πšŸπš’πšŒπšŽ.

Introduction

When it comes to love stories in Indian cinema, few films have managed to capture the intensity of passion, pain, and sacrifice the way Aashiqui 2 did. Released in 2013, this romantic musical drama redefined modern Bollywood romance and created a legacy that continues to touch hearts even today.

The film, starring Aditya Roy Kapur and Shraddha Kapoor, is more than just a love storyβ€”it is a journey of two individuals bound by music, dreams, and emotions, yet torn apart by inner struggles and external challenges.

Plot Overview

The story revolves around Rahul Jaykar (Aditya Roy Kapur), a once-celebrated singer whose career begins to spiral downward due to his struggle with alcoholism. Amid his downfall, he meets Aarohi Keshav Shirke (Shraddha Kapoor), a simple girl with an extraordinary voice who performs in a small bar.

Rahul recognizes her talent and decides to mentor her, helping Aarohi achieve the stardom he once enjoyed. As Aarohi’s career begins to rise, their relationship blossoms into deep love. However, Rahul’s personal demonsβ€”particularly his battle with addiction and insecurityβ€”start creating cracks in their bond.

The film’s emotional climax shows how love can inspire sacrifice, making Aashiqui 2 one of the most heartfelt and tragic romances of its era.

πšπšŽπš•πšŠπšπšŽπš πš‚πšŽπšŠπš›πšŒπš‘πšŽπšœ:

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Aashiqui 2 πš–πš˜πšŸπš’πšŽ πšπš›πšŠπš’πš•πšŽπš› πšƒπš‘πšŽ π™³πšŽπšŠπšπš™πš˜πš˜πš•

𝟹 & πš†πš˜πš•πšŸπšŽπš›πš’πš—πšŽ πš–πš˜πšŸπš’πšŽ πš—πšŠπš–πšŽ πšƒπš‘πšŽ π™³πšŽπšŠπšπš™πš˜πš˜πš• 𝟹 &

πš†πš˜πš•πšŸπšŽπš›πš’πš—πšŽ πš—πšŽπš  πš–πš˜πšŸπš’πšŽ Aashiqui 2 πš–πš˜πšŸπš’πšŽπšœ πš’πš— πš˜πš›πšπšŽπš› Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš™πš˜πšœπšπšŽπš›

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš™πš•πš˜πš πšƒπš‘πšŽ

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš™πš˜πš™πšŒπš˜πš›πš— πš‹πšžπšŒπš”πšŽπšπšœ πšƒπš‘πšŽ

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš›πšŠπšπš’πš—πš πšƒπš‘πšŽ π™³πšŽπšŠπšπš™πš˜πš˜πš• 𝟹 & πš†πš˜πš•πšŸπšŽπš›πš’πš—πšŽ πš–πš˜πšŸπš’πšŽ πš›πšŽπšπšπš’πš πšƒπš‘πšŽ

π™ΆπšŠπš–πšŽ π™²πš‘πšŠπš—πšπšŽπš› πš›πšŽπšŠπšŒπšπš’πš˜πš—

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšœπšžπš‹ πš’πš—πšπš˜

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πšœπšπš˜πš›πš’ πš’πšœ πšƒπš‘πšŽ π™ΆπšŠπš–πšŽ π™²πš‘πšŠπš—πšπšŽπš› πšπš›πš’πšŽπš—πšπšœ

πš’πšœ Aashiqui 2 πš›πšŽπš•πšŠπšπšŽπš πšƒπš‘πšŽ

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

πšπšŠπš–πš’πš• Aashiqui 2 πš–πš˜πšŸπš’πšŽ πšπš’πšŒπš”πšŽπšπšœ Aashiqui 2 πš–πš˜πšŸπš’πšŽ 𝚝𝚘𝚒𝚜 πšƒπš‘πšŽ

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πšπš’πšπš•πšŽ πšƒπš‘πšŽ π™ΆπšŠπš–πšŽ π™²πš‘πšŠπš—πšπšŽπš› πš–πš˜πšŸπš’πšŽ πšπš’πš–πšŽ Aashiqui 2 πšπš‘πšŽ πš–πš˜πšŸπš’πšŽ

Aashiqui 2 πšπšŽπšŠπšœπšŽπš›

πšπš‘πšŽ Aashiqui 2

Aashiqui 2 πš–πš˜πšŸπš’πšŽ

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πšŸπš’πš•πš•πšŠπš’πš— πšƒπš‘πšŽ

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšƒπš‘πšŽ π™ΆπšŠπš–πšŽ π™²πš‘πšŠπš—πšπšŽπš› πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ πšƒπš‘πšŽ π™ΆπšŠπš–πšŽ

π™²πš‘πšŠπš—πšπšŽπš› πš–πš˜πšŸπš’πšŽ πš πš’πš”πš’

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš πšŠπš•πš•πš™πšŠπš™πšŽπš› Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš πšŠπš•πš•πš™πšŠπš™πšŽπš› πŸΊπš” Aashiqui 2 πšπš›πšŠπš’πš•πšŽπš›

Aashiqui 2 πšπš’πš›πšœπš πšŠπš™πš™πšŽπšŠπš›πšŠπš—πšŒπšŽ

Aashiqui 2 πš–πš˜πšŸπš’πšŽ 𝟸𝟢𝟸𝟻 πšƒπš‘πšŽ

Aashiqui 2 𝟸𝟢𝟸𝟻

Aashiqui 2 πšπš’πšπš‘πšπš’πš—πš

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ - πš’πš˜πšžπšπšžπš‹πšŽ Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš πš’πš•πš• πš‹πšŽ πš’πš— Aashiqui 2

Aashiqui 2 𝟹

Aashiqui 2 Aashiqui 2 Aashiqui 2 Aashiqui 2

Aashiqui 2 πš†πš˜πš•πšŸπšŽπš›πš’πš—πšŽ

Aashiqui 2 πšŠπš—πš’πš–πšŠπšπšŽπš πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ Aashiqui 2 πšπšžπš•πš•

πš–πš˜πšŸπš’πšŽ πš›πšŽπšπšπš’πš πš πš’πš•πš• πšπš‘πšŽπš›πšŽ πš‹πšŽ 𝚊 πšƒπš‘πšŽ πš‚πš˜πš—πš’πšŒ

πšπš‘πšŽ π™·πšŽπšπšπšŽπš‘πš˜πš 𝟹 πš–πš˜πšŸπš’πšŽ πš’πšœ πšπš‘πšŽπš›πšŽ πšπš˜πš’πš—πš 𝚝𝚘 πš‹πšŽ 𝚊 Aashiqui 2 πš–πš˜πšŸπš’πšŽ

πšπš’πšπšπšŽπš›πšŽπš—πšŒπšŽ πš‹πšŽπšπš πšŽπšŽπš— Aashiqui 2 Aashiqui 2 πš–πš˜πšŸπš’πšŽπšœ πš’πš— πš˜πš›πšπšŽπš› Aashiqui 2 πšπš’πšπš‘πš

πš πšŠπšπšŒπš‘ Aashiqui 2 πš’πš— πš˜πš›πšπšŽπš› πšƒπš‘πšŽ

Aashiqui 2 πšœπšŒπšŽπš—πšŽ

Aashiqui 2 πšŒπšŠπš›πšπš˜πš˜πš—

Aashiqui 2 πš›πšŽπšŠπšŒπšπš’πš˜πš—

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

Aashiqui 2 πšŽπš™πš’πšœπš˜πšπšŽ

Aashiqui 2 πšπšŠπš’πš•πš’πš–πš˜πšπš’πš˜πš—

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš›πšŽπš•πšŽπšŠπšœπšŽ 𝚍𝚊𝚝𝚎 Aashiqui 2 πšπšžπš•πš• πšŽπš™πš’πšœπš˜πšπšŽπšœ Aashiqui 2 πšœπšŒπšŽπš—πšŽ

Aashiqui 2 πšπš’πšπš‘πšπš’πš—πš

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš›πšŽπš•πšŽπšŠπšœπšŽ 𝚍𝚊𝚝𝚎

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

πš πš‘πšŠπš πš–πš˜πšŸπš’πšŽ 𝚠𝚊𝚜 Aashiqui 2 πš’πš— πš πšŠπšπšŒπš‘

Aashiqui 2 πš˜πš—πš•πš’πš—πšŽ πšπš›πšŽπšŽ πš›πšŽπšπšπš’πš πš πšŠπšπšŒπš‘

Aashiqui 2 πšπšŠπš—πšπš’πšŒπšπš’πš˜πš— πš πš‘πšŠπš πš–πš˜πšŸπš’πšŽ 𝚍𝚘

Aashiqui 2 πšπš’πšπš‘πš πšƒπš‘πšŽ πš‚πš˜πš—πš’πšŒ πšπš‘πšŽ

π™·πšŽπšπšπšŽπš‘πš˜πš 𝟹 πšŠπš—πš’πš–πšŠπšπšŽπš πš–πš˜πšŸπš’πšŽ

πš πšŠπšπšŒπš‘ Aashiqui 2 πšπš›πšŽπšŽ πš’πš˜πšžπšπšžπš‹πšŽ

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš›πšŽπšπšπš’πš

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’ πš πšŠπšπšŒπš‘ πš˜πš—πš•πš’πš—πšŽ πšπšŠπš’πš•πš’πš–πš˜πšπš’πš˜πš— Aashiqui 2 πšπšžπš•πš•

πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ πš˜πš—πš•πš’πš—πšŽ

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš—πšŽπšπšπš•πš’πš‘

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ πš˜πš—πš•πš’πš—πšŽ πšπšŠπš’πš•πš’πš–πš˜πšπš’πš˜πš— Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πŸΊπŸΎπŸΆπš™ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πš‹πš˜πš• Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

πšπšŠπš’πš•πš’πš–πš˜πšπš’πš˜πš—

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πŸΊπŸΎπŸΆπš™ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πŸ½πŸΈπŸΆπš™ Aashiqui 2

πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πŸΊπŸΎπŸΆπš™ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πš πš˜πš›πš•πš Aashiqui 2 πšπšžπš•πš•

πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πšπšŠπš–πš’πš•

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πŸΊπŸΎπŸΆπš™ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πŸΊπŸΎπŸΆπš™ Aashiqui 2

πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πŸΊπŸΎπŸΆπš™ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš—

πš‘πš’πš—πšπš’ πšπš˜πš πš—πš•πš˜πšŠπš πš™πšŠπšπšŠπš•πš–πš˜πšŸπš’πšŽπšœ Aashiqui 2

πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’ πšπš˜πš πš—πš•πš˜πšŠπš πš–πš™πŸΊπš–πš˜πšŸπš’πšŽπš£ πšƒπš‘πšŽ Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš—

πšπšŠπš–πš’πš• πšπš˜πš πš—πš•πš˜πšŠπš πšπšŠπš–πš’πš•πš›πš˜πšŒπš”πšŽπš›πšœ Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’ πšπš˜πš πš—πš•πš˜πšŠπš

πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πŸ½πŸΈπŸΆπš™

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšŽπš—πšπš•πš’πšœπš‘ πšπš›πšŽπšŽ 𝟸𝟢𝟸𝟻

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšŽπš—πšπš•πš’πšœπš‘

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšŽπš—πšπš•πš’πšœπš‘ πšπš›πšŽπšŽ 𝟸𝟢𝟸𝟢 πšπš˜πš πš—πš•πš˜πšŠπš πš–πš™πŸΊπš–πš˜πšŸπš’πšŽπš£ πšƒπš‘πšŽ Aashiqui 2

πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšŽπš—πšπš•πš’πšœπš‘

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’ πšπš˜πš πš—πš•πš˜πšŠπš πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πŸΉπŸΆπŸΆπš–πš‹ Aashiqui 2 πšπšžπš•πš•

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πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

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Themes and Symbolism

The movie is rich with themes that resonate universally:

  • Love and Sacrifice: The story highlights how true love often requires giving up something valuable for the happiness of the other person.

  • Dreams and Ambitions: Aarohi’s journey from obscurity to fame symbolizes the transformative power of belief and mentorship.

  • Addiction and Self-Destruction: Rahul’s alcoholism is not just a personal flaw but a metaphor for how inner battles can overshadow talent and relationships.

  • Hope and Tragedy: The film balances hope with heartbreak, showing that even in tragedy, love leaves a lasting mark.

Symbolism is evident throughoutβ€”rain often represents emotional cleansing, the microphone symbolizes voice and identity, while silence portrays love’s unspoken depth.

Characters and Performances

  • Rahul Jaykar (Aditya Roy Kapur): His portrayal of a troubled yet passionate singer was intense and realistic. The vulnerability he displayed made audiences empathize with his struggles.

  • Aarohi Shirke (Shraddha Kapoor): She brought innocence and strength to her character, perfectly balancing the role of a devoted lover and an ambitious singer.

  • Supporting Cast: The film’s secondary characters, including Aarohi’s mother and friends, ground the story in realism and show the sacrifices behind stardom.

The chemistry between Aditya and Shraddha was widely praised, making them one of Bollywood’s most memorable on-screen couples.

Direction and Screenplay

Directed by Mohit Suri, Aashiqui 2 is crafted with emotional sensitivity and dramatic intensity. The screenplay balances romance, music, and tragedy, ensuring the audience remains emotionally invested throughout.

Dialogues like β€œTum hi ho, bas tum hi ho” and β€œMeri zindagi ab tum hi ho” became synonymous with eternal love. The pacing of the film gradually builds up to its heartbreaking climax, ensuring that every moment leaves an emotional impact.

Music and Soundtrack

The music of Aashiqui 2 is its soul. Every song is an emotional expression of love, longing, and heartbreak. The soundtrack, composed by Mithoon, Jeet Gannguli, and Ankit Tiwari, became a chartbuster and remains iconic even today.

Some of the unforgettable tracks include:

  • Tum Hi Ho – A song that became an anthem of love.

  • Sunn Raha Hai – An emotional ballad that beautifully portrays struggle and hope.

  • Chahun Main Ya Naa – Captures the innocence of new love.

  • Hum Mar Jayenge – A heartbreaking melody of love and loss.

The songs were not just hits but cultural phenomena, with Tum Hi Ho becoming one of the most-streamed Bollywood songs of its time.

Cinematography and Visuals

The visuals of Aashiqui 2 are crafted to enhance the emotional depth of the story. Rain sequences symbolize vulnerability, while concerts and stage performances reflect ambition and glory. Intimate close-ups highlight the raw emotions of the characters, making the audience feel every moment of love and pain.

The combination of lighting, backdrops, and symbolic imagery creates a poetic atmosphere throughout the film.

Audience Impact

Aashiqui 2 resonated deeply with audiences, particularly the younger generation, who connected with its portrayal of love’s intensity and fragility. The music became the soundtrack of countless love stories, and the dialogues entered everyday conversations.

The film not only revived the careers of its lead actors but also established them as promising talents in Bollywood. For many, the movie was a reminder that love, while beautiful, also demands strength and sacrifice.

Critical Reception

Upon its release, Aashiqui 2 received widespread acclaim for its music, performances, and emotional storytelling. Critics appreciated the depth of Rahul’s character and Shraddha Kapoor’s breakthrough performance.

While some felt the story was melodramatic, most agreed that the heartfelt execution and memorable soundtrack elevated it to a cinematic experience that stayed with viewers long after they left the theater.

Legacy and Cultural Relevance

Aashiqui 2 is considered a modern classic in Bollywood’s romantic genre. It revived interest in soulful love stories and proved that music-driven films could still dominate the box office.

The film’s soundtrack has achieved legendary status, often considered one of the greatest Bollywood albums of the 2010s. The legacy of Aashiqui 2 also lies in its timeless messageβ€”that love is powerful enough to heal but also fragile enough to be broken by inner demons.

Even years after its release, the film continues to inspire remakes, parodies, and tributes, cementing its place in pop culture.

Conclusion

Aashiqui 2 is not just a love storyβ€”it is an emotional journey that explores the beauty and tragedy of relationships. With its unforgettable music, powerful performances, and poignant storytelling, the film remains one of the most celebrated romances in Bollywood.

It reminds us that while love can give life new meaning, it also demands immense strength and sacrifice. In the end, Aashiqui 2 is about two people who loved deeply, lived passionately, and left behind a story that continues to inspire millions.

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Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πŸ·πŸΆπŸΎπŸΆπš™ πš’πšœ πšπš‘πšŽπš›πšŽ

πšπš˜πš’πš—πš 𝚝𝚘 πš‹πšŽ 𝚊 Aashiqui 2 πš–πš˜πšŸπš’πšŽ

Aashiqui 2 πšπš›πš’πšŽπš—πšπšœ

Aashiqui 2 πš›πšŽπš•πšŠπšπš’πš˜πš—πšœπš‘πš’πš™

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšŽπš—πšπš•πš’πšœπš‘

Aashiqui 2 πšŽπš—πšŽπš–πš’πšŽπšœ

Aashiqui 2 πšπš’πšπš‘πšπš’πš—πš

Aashiqui 2 πšŠπš—πš πšπš‘πšŽ 𝚑-πš–πšŽπš— Aashiqui 2 πšŽπš™πš’πšœπš˜πšπšŽ Aashiqui 2 πšœπšŒπšŽπš—πšŽ

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš›πšŽπšŽ πš›πšŽπšπšπš’πš

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πšπš’πšπšžπš›πšŽπšœ

Aashiqui 2 πšπš›πšŽπšŽ πš–πš˜πšŸπš’πšŽ

Aashiqui 2 πšπšžπš—πš—πš’

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš›πšŽπš•πšŽπšŠπšœπšŽ 𝚍𝚊𝚝𝚎

Aashiqui 2 πšπš’πšπš‘πš

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’ πš πšŠπšπšŒπš‘ πš˜πš—πš•πš’πš—πšŽ Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš—

πš‘πš’πš—πšπš’ πšπš˜πš πš—πš•πš˜πšŠπš πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πŸ·πŸΆπŸΎπŸΆπš™ Aashiqui 2 πš’πš— πšπš‘πšŽ πšŒπš˜πš–πš’πšŒπšœ

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš•πšŽπš—πšπšπš‘

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš•πš˜πšπš˜

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš•πšŽπšŠπš”πšœ

Aashiqui 2 πš•πšŠπšœπš πš–πš˜πšŸπš’πšŽ

Aashiqui 2 πšπš’πš•πš– πš•πšŽπš—πšπšπš‘

Aashiqui 2 πšπš’πš•πš– πš•πš˜πšπš˜

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš–πšŽπš›πšŒπš‘ πšƒπš‘πšŽ

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš–πšŽπš›πšŒπš‘πšŠπš—πšπš’πšœπšŽ πšƒπš‘πšŽ

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πšπš›πšŠπš’πš•πšŽπš› πšƒπš‘πšŽ π™³πšŽπšŠπšπš™πš˜πš˜πš•

𝟹 & πš†πš˜πš•πšŸπšŽπš›πš’πš—πšŽ πš–πš˜πšŸπš’πšŽ πš—πšŠπš–πšŽ πšƒπš‘πšŽ π™³πšŽπšŠπšπš™πš˜πš˜πš• 𝟹 &

πš†πš˜πš•πšŸπšŽπš›πš’πš—πšŽ πš—πšŽπš  πš–πš˜πšŸπš’πšŽ Aashiqui 2 πš–πš˜πšŸπš’πšŽπšœ πš’πš— πš˜πš›πšπšŽπš› Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš™πš˜πšœπšπšŽπš›

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš™πš•πš˜πš πšƒπš‘πšŽ

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš™πš˜πš™πšŒπš˜πš›πš— πš‹πšžπšŒπš”πšŽπšπšœ πšƒπš‘πšŽ

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš›πšŠπšπš’πš—πš πšƒπš‘πšŽ π™³πšŽπšŠπšπš™πš˜πš˜πš• 𝟹 & πš†πš˜πš•πšŸπšŽπš›πš’πš—πšŽ πš–πš˜πšŸπš’πšŽ πš›πšŽπšπšπš’πš πšƒπš‘πšŽ

π™ΆπšŠπš–πšŽ π™²πš‘πšŠπš—πšπšŽπš› πš›πšŽπšŠπšŒπšπš’πš˜πš—

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšœπšžπš‹ πš’πš—πšπš˜

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πšœπšπš˜πš›πš’ πš’πšœ πšƒπš‘πšŽ π™ΆπšŠπš–πšŽ π™²πš‘πšŠπš—πšπšŽπš› πšπš›πš’πšŽπš—πšπšœ

πš’πšœ Aashiqui 2 πš›πšŽπš•πšŠπšπšŽπš πšƒπš‘πšŽ

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

πšπšŠπš–πš’πš• Aashiqui 2 πš–πš˜πšŸπš’πšŽ πšπš’πšŒπš”πšŽπšπšœ Aashiqui 2 πš–πš˜πšŸπš’πšŽ 𝚝𝚘𝚒𝚜 πšƒπš‘πšŽ

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πšπš’πšπš•πšŽ πšƒπš‘πšŽ π™ΆπšŠπš–πšŽ π™²πš‘πšŠπš—πšπšŽπš› πš–πš˜πšŸπš’πšŽ πšπš’πš–πšŽ Aashiqui 2 πšπš‘πšŽ πš–πš˜πšŸπš’πšŽ

Aashiqui 2 πšπšŽπšŠπšœπšŽπš›

πšπš‘πšŽ Aashiqui 2

Aashiqui 2 πš–πš˜πšŸπš’πšŽ

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πšŸπš’πš•πš•πšŠπš’πš— πšƒπš‘πšŽ

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšƒπš‘πšŽ π™ΆπšŠπš–πšŽ π™²πš‘πšŠπš—πšπšŽπš› πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ πšƒπš‘πšŽ π™ΆπšŠπš–πšŽ

π™²πš‘πšŠπš—πšπšŽπš› πš–πš˜πšŸπš’πšŽ πš πš’πš”πš’

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš πšŠπš•πš•πš™πšŠπš™πšŽπš› Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš πšŠπš•πš•πš™πšŠπš™πšŽπš› πŸΊπš” Aashiqui 2 πšπš›πšŠπš’πš•πšŽπš›

Aashiqui 2 πšπš’πš›πšœπš πšŠπš™πš™πšŽπšŠπš›πšŠπš—πšŒπšŽ

Aashiqui 2 πš–πš˜πšŸπš’πšŽ 𝟸𝟢𝟸𝟻 πšƒπš‘πšŽ

Aashiqui 2 𝟸𝟢𝟸𝟻

Aashiqui 2 πšπš’πšπš‘πšπš’πš—πš

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ - πš’πš˜πšžπšπšžπš‹πšŽ Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš πš’πš•πš• πš‹πšŽ πš’πš— Aashiqui 2

Aashiqui 2 𝟹

Aashiqui 2 Aashiqui 2 Aashiqui 2 Aashiqui 2

Aashiqui 2 πš†πš˜πš•πšŸπšŽπš›πš’πš—πšŽ

Aashiqui 2 πšŠπš—πš’πš–πšŠπšπšŽπš πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ Aashiqui 2 πšπšžπš•πš•

πš–πš˜πšŸπš’πšŽ πš›πšŽπšπšπš’πš πš πš’πš•πš• πšπš‘πšŽπš›πšŽ πš‹πšŽ 𝚊 πšƒπš‘πšŽ πš‚πš˜πš—πš’πšŒ

πšπš‘πšŽ π™·πšŽπšπšπšŽπš‘πš˜πš 𝟹 πš–πš˜πšŸπš’πšŽ πš’πšœ πšπš‘πšŽπš›πšŽ πšπš˜πš’πš—πš 𝚝𝚘 πš‹πšŽ 𝚊 Aashiqui 2 πš–πš˜πšŸπš’πšŽ

πšπš’πšπšπšŽπš›πšŽπš—πšŒπšŽ πš‹πšŽπšπš πšŽπšŽπš— Aashiqui 2 Aashiqui 2 πš–πš˜πšŸπš’πšŽπšœ πš’πš— πš˜πš›πšπšŽπš› Aashiqui 2 πšπš’πšπš‘πš

πš πšŠπšπšŒπš‘ Aashiqui 2 πš’πš— πš˜πš›πšπšŽπš› πšƒπš‘πšŽ

Aashiqui 2 πšœπšŒπšŽπš—πšŽ

Aashiqui 2 πšŒπšŠπš›πšπš˜πš˜πš—

Aashiqui 2 πš›πšŽπšŠπšŒπšπš’πš˜πš—

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

Aashiqui 2 πšŽπš™πš’πšœπš˜πšπšŽ

Aashiqui 2 πšπšŠπš’πš•πš’πš–πš˜πšπš’πš˜πš—

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš›πšŽπš•πšŽπšŠπšœπšŽ 𝚍𝚊𝚝𝚎 Aashiqui 2 πšπšžπš•πš• πšŽπš™πš’πšœπš˜πšπšŽπšœ Aashiqui 2 πšœπšŒπšŽπš—πšŽ

Aashiqui 2 πšπš’πšπš‘πšπš’πš—πš

Aashiqui 2 πš–πš˜πšŸπš’πšŽ πš›πšŽπš•πšŽπšŠπšœπšŽ 𝚍𝚊𝚝𝚎

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

πš πš‘πšŠπš πš–πš˜πšŸπš’πšŽ 𝚠𝚊𝚜 Aashiqui 2 πš’πš— πš πšŠπšπšŒπš‘

Aashiqui 2 πš˜πš—πš•πš’πš—πšŽ πšπš›πšŽπšŽ πš›πšŽπšπšπš’πš πš πšŠπšπšŒπš‘

Aashiqui 2 πšπšŠπš—πšπš’πšŒπšπš’πš˜πš— πš πš‘πšŠπš πš–πš˜πšŸπš’πšŽ 𝚍𝚘

Aashiqui 2 πšπš’πšπš‘πš πšƒπš‘πšŽ πš‚πš˜πš—πš’πšŒ πšπš‘πšŽ

π™·πšŽπšπšπšŽπš‘πš˜πš 𝟹 πšŠπš—πš’πš–πšŠπšπšŽπš πš–πš˜πšŸπš’πšŽ

πš πšŠπšπšŒπš‘ Aashiqui 2 πšπš›πšŽπšŽ πš’πš˜πšžπšπšžπš‹πšŽ

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš›πšŽπšπšπš’πš

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πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ πš˜πš—πš•πš’πš—πšŽ

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš—πšŽπšπšπš•πš’πš‘

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ πš˜πš—πš•πš’πš—πšŽ πšπšŠπš’πš•πš’πš–πš˜πšπš’πš˜πš— Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πŸΊπŸΎπŸΆπš™ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πš‹πš˜πš• Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

πšπšŠπš’πš•πš’πš–πš˜πšπš’πš˜πš—

Aashiqui 2 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πŸΊπŸΎπŸΆπš™ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πŸ½πŸΈπŸΆπš™ Aashiqui 2

πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πŸΊπŸΎπŸΆπš™ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πš πš˜πš›πš•πš Aashiqui 2 πšπšžπš•πš•

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πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

Aashiqui 2 πš’πšœ πš™πš•πšŠπš’πš’πš—πš πš—πš˜πš  πš’πš— πšπš‘πšŽπšŠπšπšŽπš›πšœ πš πš˜πš›πš•πšπš πš’πšπšŽ. πšƒπš‘πšŠπš—πš”πšœ!

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