Downl𝚘adβ€” Maargan 2025 𝙡ull𝙼ovie Filmyzilla HI𝙽DI Dubπš‹ed 7𝟸0p, And 10𝟾0p

Maargan is a film that captivates audiences with its intense storytelling, compelling characters, and thought-provoking themes. Unlike ordinary action dramas, this movie delves deep into the moral dilemmas faced by individuals in the pursuit of justice. It highlights the struggle between right and wrong, the cost of revenge, and the courage required to stand against corruption.

πŸ”΄ π–’βž€ β–ΊπŸŒπŸ“±πŸ‘‰ Maargan π™΅πšžπš•πš• π™Όπš˜πšŸπš’πšŽ

➀ β–ΊπŸŒπŸ“ΊπŸ“±πŸ‘‰ Maargan π™΅πšžπš•πš• π™Όπš˜πšŸπš’πšŽ

Set against a backdrop of crime, power struggles, and societal challenges, Maargan presents a narrative that is both thrilling and emotionally resonant. It combines action, suspense, and drama to create a cinematic experience that lingers long after the credits roll.

Plot Overview

The story of Maargan revolves around a principled protagonist who is caught in the midst of crime and corruption. Known for his unwavering sense of justice, he becomes a target of powerful enemies who seek to exploit his morality for their gain.

As the narrative unfolds, the protagonist confronts various challengesβ€”ranging from betrayal by those he trusts to facing enemies who operate above the law. Amidst the chaos, he must navigate the delicate balance between taking revenge and upholding his moral code.

The film explores how a single decision can ripple through the lives of multiple people, demonstrating that justice is never simple and that courage often comes with personal sacrifices.

Themes in Maargan

1. Justice and Retribution

The central theme of the movie is justice. It examines the complexities of pursuing justice in a flawed system and questions whether revenge can ever truly bring closure.

2. Courage Against Corruption

The film emphasizes the bravery required to stand up against corrupt individuals and systems, highlighting the risks involved in fighting for what is right.

3. Moral Dilemmas

Maargan presents situations where the line between right and wrong blurs. Characters face decisions that test their ethics and values, making the audience reflect on the consequences of choices.

4. Loyalty and Betrayal

Relationships in the film are tested under pressure, showing how loyalty can be both a strength and a vulnerability. Betrayal serves as a catalyst for character growth and plot development.

Characters and Performances

  • The Protagonist: A determined, principled figure whose quest for justice drives the narrative. His struggle between personal revenge and ethical conduct forms the emotional core of the film.

  • The Antagonists: Complex villains who represent corruption, greed, and abuse of power. Their actions challenge the protagonist and raise the stakes.

  • Supporting Characters: Friends, family, and allies contribute depth to the story, showing how different perspectives shape the pursuit of justice.

The actors deliver performances that are intense and authentic, ensuring that audiences connect with their struggles and triumphs.

Direction and Cinematic Style

The direction of Maargan emphasizes realism, tension, and emotional resonance:

  • Cinematography: Dark tones and dynamic camera movements enhance the film’s suspenseful atmosphere. Close-ups capture emotional intensity, while wide shots highlight the scale of conflicts.

  • Action Sequences: High-energy scenes are choreographed to showcase both physical skill and the emotional stakes behind every confrontation.

  • Pacing: A well-balanced pace allows tension to build while providing moments of introspection and character development.

  • Sound Design: The soundtrack and sound effects amplify suspense and drama, heightening the impact of key scenes.

Symbolism in the Film

  • Maargan (the protagonist’s journey): Represents the path of righteousness amidst chaos and moral compromise.

  • Blood and Violence: Symbolize the cost of revenge and the irreversible consequences of violence.

  • Urban Landscapes: Reflect societal challenges and the systemic obstacles faced by those seeking justice.

  • Light and Shadow: Used to depict moral ambiguity and the internal struggle of characters between right and wrong.

Memorable Scenes

  1. The Inciting Incident: A powerful opening that sets the stakes and defines the protagonist’s motivation.

  2. Confrontation with the Antagonist: Tense dialogues and high-stakes encounters reveal the depth of corruption and the courage required to fight it.

  3. Emotional Flashbacks: Provide context for the protagonist’s moral compass and personal motivations.

  4. Climactic Showdown: A visually and emotionally intense sequence that resolves key conflicts and reinforces the film’s themes.

Music and Soundtrack

The soundtrack of Maargan complements its intense narrative:

  • Dramatic Scores: Elevate action sequences and suspenseful moments.

  • Emotional Themes: Highlight the protagonist’s internal struggles and moments of vulnerability.

  • Traditional and Modern Elements: Blend cultural motifs with contemporary arrangements, adding depth to the storytelling.

The music enhances the immersive experience, reinforcing both tension and emotional resonance.

Impact and Reception

Maargan has been recognized for:

  • Its bold storytelling and focus on moral dilemmas.

  • Strong performances that bring complex characters to life.

  • A realistic portrayal of crime, justice, and the consequences of choices.

  • Inspiring reflection on courage, loyalty, and ethical responsibility.

The film resonates with audiences seeking thoughtful narratives, offering both entertainment and a commentary on societal challenges.

Why Maargan Stands Out

  • Focuses on psychological depth and moral complexity rather than purely action-driven spectacle.

  • Offers a realistic and emotionally engaging portrayal of justice and corruption.

  • Delivers a story where every action has meaningful consequences, keeping audiences invested throughout.

  • Combines suspense, drama, and action with cultural and societal relevance.

Conclusion

Maargan is more than a conventional action dramaβ€”it is a cinematic exploration of justice, morality, and personal courage. The film challenges viewers to reflect on the consequences of choices and the ethical dilemmas that shape human behavior.

Through its compelling storytelling, authentic performances, and thought-provoking themes, Maargan leaves a lasting impression. It reminds audiences that true heroism lies not just in strength or skill, but in the courage to uphold justice and integrity even in the face of overwhelming adversity.

πšπšŽπš•πšŠπšπšŽπš πš‚πšŽπšŠπš›πšŒπš‘πšŽπšœ:

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšƒπš‘πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš›πšŽπšπšπš’πš πšƒπš‘πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš˜πšžπšπšžπš‹πšŽ πšƒπš‘πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš•πšŽπšŠπš”πšŽπš πšƒπš‘πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš›πšŽπšπšπš’πš πšπš›πšŽπšŽ πšƒπš‘πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπšŠπš’πš•πš’πš–πš˜πšπš’πš˜πš— πšƒπš‘πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš‹πš’πš•πš’πš‹πš’πš•πš’ πšƒπš‘πšŽ

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Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš πš’πšπšπšŽπš›

Maargan πš›πšŽπš•πšŽπšŠπšœπšŽ 𝚍𝚊𝚝𝚎

Maargan πš›πšŽπšŸπš’πšŽπš πšœ

Maargan π™Όπš˜πšŸπš’πšŽ πš›πšŠπšπš’πš—πš

Maargan πš›πšŠπšπš’πš—πš

Maargan πš‹πš˜πš‘ πš˜πšπšπš’πšŒπšŽ πšŒπš˜πš•πš•πšŽπšŒπšπš’πš˜πš—

Maargan SUB INDO

Maargan (𝟸𝟢𝟸𝟺) FULL Mπš˜πšŸπš’πšŽ Dπš˜πš πš—πš•πš˜A𝚍 IN TπšŠπš–πš’πš• Mπš˜πšŸπš’πšŽπšœD𝚊 πŸ½πŸΈπŸΆπš™, πŸΊπŸΎπŸΆπš™,

πŸ·πŸΆπŸΎπŸΆπš™

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Maargan πš‚πšžπš‹ π™°πš—πš π™³πšžπš‹ π™΄πš—πšπš•πš’πšœπš‘

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Maargan πš‚πšžπš‹ π™°πš—πš π™³πšžπš‹ πš‚πš™πšŠπš—πš’πšœπš‘

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𝚊 Maargan πš–πš˜πšŸπš’πšŽ

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πš πš’πšπš‘ Maargan Maargan πšπš’πšπš‘πš

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Maargan πšŽπš‘πš™πš•πšŠπš’πš—πšŽπš

Maargan πš–πš˜πšŸπš’πšŽ

πš‹πšžπšπšπšŽπš Maargan

πš–πš˜πšŸπš’πšŽ πš‹πšžπšŒπš”πšŽπš

𝚠𝚊𝚜 Maargan

Maargan πš‹πšŽπšŽπš

Maargan πšœπšŒπšŽπš—πšŽ

Maargan πš–πš˜πšŸπš’πšŽ 𝚌𝚊𝚜𝚝 Maargan πš–πš˜πšŸπš’πšŽ πšŒπšžπš™ Maargan πš–πš˜πšŸπš’πšŽ πšŒπš˜πšŸπšŽπš› πš’πšœ Maargan πš’πš—

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Maargan πšŒπšŠπš›πšπš˜πš˜πš—

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πšπš˜πš’πš—πš 𝚝𝚘 πš‹πšŽ 𝚊 Maargan πš–πš˜πšŸπš’πšŽ

Maargan πšπš›πš’πšŽπš—πšπšœ

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Maargan πšŽπš—πšŽπš–πš’πšŽπšœ

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Maargan πšŠπš—πš πšπš‘πšŽ 𝚑-πš–πšŽπš— Maargan πšŽπš™πš’πšœπš˜πšπšŽ Maargan πšœπšŒπšŽπš—πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš›πšŽπšŽ πš›πšŽπšπšπš’πš

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Maargan πšπšžπš—πš—πš’

Maargan πš–πš˜πšŸπš’πšŽ πš›πšŽπš•πšŽπšŠπšœπšŽ 𝚍𝚊𝚝𝚎

Maargan πšπš’πšπš‘πš

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Maargan πš–πš˜πšŸπš’πšŽ πš•πš˜πšπš˜

Maargan πš–πš˜πšŸπš’πšŽ πš•πšŽπšŠπš”πšœ

Maargan πš•πšŠπšœπš πš–πš˜πšŸπš’πšŽ

Maargan πšπš’πš•πš– πš•πšŽπš—πšπšπš‘

Maargan πšπš’πš•πš– πš•πš˜πšπš˜

Maargan πš–πš˜πšŸπš’πšŽ πš–πšŽπš›πšŒπš‘ πšƒπš‘πšŽ

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Maargan πš–πš˜πšŸπš’πšŽ πšπš›πšŠπš’πš•πšŽπš› πšƒπš‘πšŽ π™³πšŽπšŠπšπš™πš˜πš˜πš•

𝟹 & πš†πš˜πš•πšŸπšŽπš›πš’πš—πšŽ πš–πš˜πšŸπš’πšŽ πš—πšŠπš–πšŽ πšƒπš‘πšŽ π™³πšŽπšŠπšπš™πš˜πš˜πš• 𝟹 &

πš†πš˜πš•πšŸπšŽπš›πš’πš—πšŽ πš—πšŽπš  πš–πš˜πšŸπš’πšŽ Maargan πš–πš˜πšŸπš’πšŽπšœ πš’πš— πš˜πš›πšπšŽπš› Maargan πš–πš˜πšŸπš’πšŽ πš™πš˜πšœπšπšŽπš›

Maargan πš–πš˜πšŸπš’πšŽ πš™πš•πš˜πš πšƒπš‘πšŽ

Maargan πš–πš˜πšŸπš’πšŽ πš™πš˜πš™πšŒπš˜πš›πš— πš‹πšžπšŒπš”πšŽπšπšœ πšƒπš‘πšŽ

Maargan πš–πš˜πšŸπš’πšŽ πš›πšŠπšπš’πš—πš πšƒπš‘πšŽ π™³πšŽπšŠπšπš™πš˜πš˜πš• 𝟹 & πš†πš˜πš•πšŸπšŽπš›πš’πš—πšŽ πš–πš˜πšŸπš’πšŽ πš›πšŽπšπšπš’πš πšƒπš‘πšŽ

π™ΆπšŠπš–πšŽ π™²πš‘πšŠπš—πšπšŽπš› πš›πšŽπšŠπšŒπšπš’πš˜πš—

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšœπšžπš‹ πš’πš—πšπš˜

Maargan πš–πš˜πšŸπš’πšŽ πšœπšπš˜πš›πš’ πš’πšœ πšƒπš‘πšŽ π™ΆπšŠπš–πšŽ π™²πš‘πšŠπš—πšπšŽπš› πšπš›πš’πšŽπš—πšπšœ

πš’πšœ Maargan πš›πšŽπš•πšŠπšπšŽπš πšƒπš‘πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

πšπšŠπš–πš’πš• Maargan πš–πš˜πšŸπš’πšŽ πšπš’πšŒπš”πšŽπšπšœ Maargan πš–πš˜πšŸπš’πšŽ 𝚝𝚘𝚒𝚜 πšƒπš‘πšŽ

Maargan πš–πš˜πšŸπš’πšŽ πšπš’πšπš•πšŽ πšƒπš‘πšŽ π™ΆπšŠπš–πšŽ π™²πš‘πšŠπš—πšπšŽπš› πš–πš˜πšŸπš’πšŽ πšπš’πš–πšŽ Maargan πšπš‘πšŽ πš–πš˜πšŸπš’πšŽ

Maargan πšπšŽπšŠπšœπšŽπš›

πšπš‘πšŽ Maargan

Maargan πš–πš˜πšŸπš’πšŽ

Maargan πš–πš˜πšŸπš’πšŽ πšŸπš’πš•πš•πšŠπš’πš— πšƒπš‘πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšƒπš‘πšŽ π™ΆπšŠπš–πšŽ π™²πš‘πšŠπš—πšπšŽπš› πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ πšƒπš‘πšŽ π™ΆπšŠπš–πšŽ

π™²πš‘πšŠπš—πšπšŽπš› πš–πš˜πšŸπš’πšŽ πš πš’πš”πš’

Maargan πš–πš˜πšŸπš’πšŽ πš πšŠπš•πš•πš™πšŠπš™πšŽπš› Maargan πš–πš˜πšŸπš’πšŽ πš πšŠπš•πš•πš™πšŠπš™πšŽπš› πŸΊπš” Maargan πšπš›πšŠπš’πš•πšŽπš›

Maargan πšπš’πš›πšœπš πšŠπš™πš™πšŽπšŠπš›πšŠπš—πšŒπšŽ

Maargan πš–πš˜πšŸπš’πšŽ 𝟸𝟢𝟸𝟻 πšƒπš‘πšŽ

Maargan 𝟸𝟢𝟸𝟻

Maargan πšπš’πšπš‘πšπš’πš—πš

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ - πš’πš˜πšžπšπšžπš‹πšŽ Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš πš’πš•πš• πš‹πšŽ πš’πš— Maargan

Maargan 𝟹

Maargan Maargan Maargan Maargan

Maargan πš†πš˜πš•πšŸπšŽπš›πš’πš—πšŽ

Maargan πšŠπš—πš’πš–πšŠπšπšŽπš πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ Maargan πšπšžπš•πš•

πš–πš˜πšŸπš’πšŽ πš›πšŽπšπšπš’πš πš πš’πš•πš• πšπš‘πšŽπš›πšŽ πš‹πšŽ 𝚊 πšƒπš‘πšŽ πš‚πš˜πš—πš’πšŒ

πšπš‘πšŽ π™·πšŽπšπšπšŽπš‘πš˜πš 𝟹 πš–πš˜πšŸπš’πšŽ πš’πšœ πšπš‘πšŽπš›πšŽ πšπš˜πš’πš—πš 𝚝𝚘 πš‹πšŽ 𝚊 Maargan πš–πš˜πšŸπš’πšŽ

πšπš’πšπšπšŽπš›πšŽπš—πšŒπšŽ πš‹πšŽπšπš πšŽπšŽπš— Maargan Maargan πš–πš˜πšŸπš’πšŽπšœ πš’πš— πš˜πš›πšπšŽπš› Maargan πšπš’πšπš‘πš

πš πšŠπšπšŒπš‘ Maargan πš’πš— πš˜πš›πšπšŽπš› πšƒπš‘πšŽ

Maargan πšœπšŒπšŽπš—πšŽ

Maargan πšŒπšŠπš›πšπš˜πš˜πš—

Maargan πš›πšŽπšŠπšŒπšπš’πš˜πš—

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

Maargan πšŽπš™πš’πšœπš˜πšπšŽ

Maargan πšπšŠπš’πš•πš’πš–πš˜πšπš’πš˜πš—

Maargan πš–πš˜πšŸπš’πšŽ πš›πšŽπš•πšŽπšŠπšœπšŽ 𝚍𝚊𝚝𝚎 Maargan πšπšžπš•πš• πšŽπš™πš’πšœπš˜πšπšŽπšœ Maargan πšœπšŒπšŽπš—πšŽ

Maargan πšπš’πšπš‘πšπš’πš—πš

Maargan πš–πš˜πšŸπš’πšŽ πš›πšŽπš•πšŽπšŠπšœπšŽ 𝚍𝚊𝚝𝚎

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

πš πš‘πšŠπš πš–πš˜πšŸπš’πšŽ 𝚠𝚊𝚜 Maargan πš’πš— πš πšŠπšπšŒπš‘

Maargan πš˜πš—πš•πš’πš—πšŽ πšπš›πšŽπšŽ πš›πšŽπšπšπš’πš πš πšŠπšπšŒπš‘

Maargan πšπšŠπš—πšπš’πšŒπšπš’πš˜πš— πš πš‘πšŠπš πš–πš˜πšŸπš’πšŽ 𝚍𝚘

Maargan πšπš’πšπš‘πš πšƒπš‘πšŽ πš‚πš˜πš—πš’πšŒ πšπš‘πšŽ

π™·πšŽπšπšπšŽπš‘πš˜πš 𝟹 πšŠπš—πš’πš–πšŠπšπšŽπš πš–πš˜πšŸπš’πšŽ

πš πšŠπšπšŒπš‘ Maargan πšπš›πšŽπšŽ πš’πš˜πšžπšπšžπš‹πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš›πšŽπšπšπš’πš

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’ πš πšŠπšπšŒπš‘ πš˜πš—πš•πš’πš—πšŽ πšπšŠπš’πš•πš’πš–πš˜πšπš’πš˜πš— Maargan πšπšžπš•πš•

πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ πš˜πš—πš•πš’πš—πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš—πšŽπšπšπš•πš’πš‘

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš πšŠπšπšŒπš‘ πš˜πš—πš•πš’πš—πšŽ πšπšŠπš’πš•πš’πš–πš˜πšπš’πš˜πš— Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πŸΊπŸΎπŸΆπš™ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πš‹πš˜πš• Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

πšπšŠπš’πš•πš’πš–πš˜πšπš’πš˜πš—

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πŸΊπŸΎπŸΆπš™ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πŸ½πŸΈπŸΆπš™ Maargan

πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πŸΊπŸΎπŸΆπš™ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πš πš˜πš›πš•πš Maargan πšπšžπš•πš•

πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πšπšŠπš–πš’πš•

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πŸΊπŸΎπŸΆπš™ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πŸΊπŸΎπŸΆπš™ Maargan

πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπš˜πš πš—πš•πš˜πšŠπš πš’πš— πš‘πš’πš—πšπš’ πŸΊπŸΎπŸΆπš™ πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš—

πš‘πš’πš—πšπš’ πšπš˜πš πš—πš•πš˜πšŠπš πš™πšŠπšπšŠπš•πš–πš˜πšŸπš’πšŽπšœ Maargan

πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’ πšπš˜πš πš—πš•πš˜πšŠπš πš–πš™πŸΊπš–πš˜πšŸπš’πšŽπš£ πšƒπš‘πšŽ Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš—

πšπšŠπš–πš’πš• πšπš˜πš πš—πš•πš˜πšŠπš πšπšŠπš–πš’πš•πš›πš˜πšŒπš”πšŽπš›πšœ Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’ πšπš˜πš πš—πš•πš˜πšŠπš

πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πŸ½πŸΈπŸΆπš™

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšŽπš—πšπš•πš’πšœπš‘ πšπš›πšŽπšŽ 𝟸𝟢𝟸𝟻

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšŽπš—πšπš•πš’πšœπš‘

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšŽπš—πšπš•πš’πšœπš‘ πšπš›πšŽπšŽ 𝟸𝟢𝟸𝟢 πšπš˜πš πš—πš•πš˜πšŠπš πš–πš™πŸΊπš–πš˜πšŸπš’πšŽπš£ πšƒπš‘πšŽ Maargan

πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πšŽπš—πšπš•πš’πšœπš‘

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’ πšπš˜πš πš—πš•πš˜πšŠπš πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πŸΉπŸΆπŸΆπš–πš‹ Maargan πšπšžπš•πš•

πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’

πšπš˜πš πš—πš•πš˜πšŠπš πšπš’πš•πš–πš’πš£πš’πš•πš•πšŠ πŸΊπŸΎπŸΆπš™ πšƒπš‘πšŽ πš‚πš˜πš—πš’πšŒ

πšπš‘πšŽ π™·πšŽπšπšπšŽπš‘πš˜πš 𝟹 πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’ πšπš˜πš πš—πš•πš˜πšŠπš πš™πšŠπšπšŠπš•πš πš˜πš›πš•πš πšπš’πš•πš–πš’πš πšŠπš™

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš‘πš’πš—πšπš’ πšπšžπš‹πš‹πšŽπš πšπš˜πš πš—πš•πš˜πšŠπš πšπš’πš•πš–πš’πš–πšŽπšŽπš Maargan πšπšžπš•πš•

πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’

Maargan πš–πš˜πšŸπš’πšŽ πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ

Maargan πšπšžπš•πš• πš–πš˜πšŸπš’πšŽ πš’πš— πš‘πš’πš—πšπš’ πš–πš˜πšŸπš’πšŽπš›πšžπš•πš£

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